- Mark Morgan ''New Day Same Choices''
Mark Morgan ''New Day Same Choices'' Dated 2009 B&W Photograph Framed 23''x19''
- DANIEL SHERRIN (BRITISH, 1868 -
DANIEL SHERRIN (BRITISH, 1868 - 1940) 19 ?'' x 29 ½'' ''A Dawn of a New Day.'' Oil on canvas, depicting two figures in rural landscape with buildings and a pond, facing horizon with a raising sun reflection, signed in the lower right corner; framed in carved gilt wood frame, overall 26 ¼'' x 36 ¼''.
- Maxfield Parrish ''When Day is
Maxfield Parrish ''When Day is Dawning'' complete 1954 calendar mint.
- Maxfield Parrish Print ''A New
Maxfield Parrish Print ''A New Day'' 1950 8 1/2'' x 11'' a beauty!
- JOHN O'HARA COSGRAVE IIAmerican
JOHN O'HARA COSGRAVE IIAmerican 1908-1968Dawning'' depicting ships at dock. Titled on Brooklyn Museum label verso ''Dawning ... Chapter I Shelburne Harbor in Early Morning''. Also noted verso ''Orignal illustration by J. O'H. Cosgrave II for Clara I. Judson's book on Donald McKay designer of clipper ships.''Watercolor and gouache on paper 15'' x 10'' sight. Framed.''
- Franklin Boggs (American 1914-2009)
Franklin Boggs (American 1914-2009) "Daybreak". Acrylic and collage on canvas signed and inscribed verso dated 1968 framed overall 17-1/2" x 10-7/8".
- Dang Anh Tuan
(Vienamese, 20th/2st
Dang Anh Tuan
(Vienamese, 20th/2st Century)
New Day
oil on canvas
45 1/4 x 45 1/4 inches
- Robert Blair
(American, b. 1937)
Waitin'
Robert Blair
(American, b. 1937)
Waitin' for Day Break
oil on board
signed Robert Blair (lower right)
11 x 14 inches
The Laumeister Collection from The Bennington Center for the Arts, Bennington, Vermont
- Jane Wilson (American b. 1924)
Jane Wilson (American b. 1924) New Day oil on canvas signed Jane Wilson (lower center) 81 x 70 1/2 inches.
- English School early 20th c. "The
English School early 20th c. "The Fairies Greet the Dawn" pen and ink on paper unsigned framed. [ Provenance: Private New York City Collector.
- Maxfield Parrish Print ''Daybreak''
Maxfield Parrish Print ''Daybreak'' image area 30'' x 17'' all original.
- W.E. Dwyer (American/New Orleans
W.E. Dwyer (American/New Orleans 20th c.) "Dawn in the Bayou" oil on canvas signed and dated "67" lower right signed and inscribed en verso 18 in. x 36 1/4 in. in a period frame.
- Maxfield Parrish Print ''Daybreak''
Maxfield Parrish Print ''Daybreak'' 6'' x 10'' all original.
- Dawn by Frank Weston Benson Frank
Dawn by Frank Weston Benson Frank Weston Benson (American 1862-1951) ?1924. Etching on paper from an edition of 271 signed in graphite l.l. catalogue raisonn? Paff 232; 7 x 10 in. (plate). Property of the Toledo Museum of Art Sold to Benefit the Acquisition Fund Condition: Glued down to board.
- ESTHER ENGELMAN (B. 1942): GREET
ESTHER ENGELMAN (B. 1942): GREET THE NEXT DAWNEsther Engelman (B. 1942): Greet the Next Dawn, pastel on paper, matted, framed and glazed; signed lower right, signed again and titled verso Dimensions: 11 x 16 in. (27.9 x 40.6 cm.), Frame: 18 7/8 x 23 5/8 in. (47.9 x 60 cm.) Condition:
- ORNULF OPDAHL "BREAK OF DAWN" 2002,
ORNULF OPDAHL "BREAK OF DAWN" 2002, MODERN OIL Ornulf Opdahl (Norwegian, b. 1944), "Break of Dawn", 2002, oil on canvas abstract in gray tones, signed, titled, and dated en verso, Purdy Hicks Gallery label to back of frame, framed. Approx. canvas h. 19.625", w. 19.625". Frame h. 20.25", w. 20.25".
- FRANK HANDLEN (MAINE/NEW JERSEY,
FRANK HANDLEN (MAINE/NEW JERSEY, 1916-), “A NEW DAY”., OIL ON BOARD, 12” X 16”. FRAMED 19” X 22.75”.FRANK HANDLEN, Maine/New Jersey, 1916-, "A New Day". Signed lower right "Handlen". Titled verso. Dimensions: Oil on board, 12" x 16". Framed 19" x 22.75".
- N. Currier colored lithograph titled
N. Currier colored lithograph titled Sunday Morning In The Olden Time after the work of William Collins. ?
- THOMAS OPENSHAW ROCKY SHORE SEASCAPE
THOMAS OPENSHAW ROCKY SHORE SEASCAPE PAINTING United States,20th CenturyDepicting an early morning with rising sun on the horizon and white capped waves crashing against the beach in the foreground.
- David James (Active c.1883-1897)
David James (Active c.1883-1897) British MORNING TIDE WITH CLOUDS LIFTING Oil on canvas; signed and dated ??~99 lower right 25" (height) 63.5cm (height) 50" (width) 127cm (width)
- DAY, Stephen, (American, 1954):
DAY, Stephen, (American, 1954): ''Glowing Sky'', Oil/Canvas Board, 30'' x 40'', signed lower left, signed titled and dated 1995 verso, framed 40'' x 50''.
- * (POETRY) A group of five titles.
* (POETRY) A group of five titles. The Morning Road. By Thomas Wood Stevens and Alden Charles Noble. Chicago: The Blue Sky Press 1902. Number 122 of 200 copies. Fumes of Formation. By Amanda M. Ross. Belfast: R. Carswell 1933. Revolution. A Poem. By Ebon Dooley. Chicago: Third World Press (1968). The Circus and Other Essays. By Joyce Kilmer. New York: Laurence J. Gome 1916. [Housed in slipcase with:] Trees and Other Poems. By Joyce Kilmer. New York: George H. Doran (1914).
- DAN NAMINGHA, "MORNING LIGHT" COLORBLOCK
DAN NAMINGHA, "MORNING LIGHT" COLORBLOCK LANDSCAPE Dan Namingha (American/Hopi b. 1950), "Morning Light," 2002, acrylic on canvas depicting a landscape at dawn, signed at lower right, titled and dated en verso, unframed. Provenance: Private Collection of Wayne Hyatt, San Diego, CA.: acquired from Niman Fine Art, Santa Fe, NM. Approx. overall h. 24", w. 20", d. 1.5".
- DAVID ALLEN (BRITISH, BORN 1945),
DAVID ALLEN (BRITISH, BORN 1945), MORNING SUN, CAMPO MARIA NOVA, VENICE Pastel on tinted paper, completed en plein air May 22, 2013, signed lower right, retains Clark Art Gallery, NC label to verso, matted and framed behind UV glass.
- Signed ''Now Flowering-2nd Impression
Signed ''Now Flowering-2nd Impression #157 Worden Day'' (N.Y./Virginia 1916-1986) silkscreen. 29 1/2'' x 7'.
- RUSSIAN SCHOOL (20TH CENTURY),
RUSSIAN SCHOOL (20TH CENTURY), AN IMPRESSIONIST LANDSCAPE AT DAYBREAK Oil on board, unsigned, presented under glass floating against a white linen lining and gilt frame.
- MAXFIELD FREDERICK PARRISH (AMERICAN,
MAXFIELD FREDERICK PARRISH (AMERICAN, 1870 - 1966), "DAYBREAK", POLYCHROME LITHOGRAPH, SIGNED IN BLOCK AT CENTER, "THE HOUSE OF ART,...Maxfield Frederick Parrish (American, 1870 - 1966), "Daybreak", polychrome lithograph, signed in block at center, "The House of Art, NY" at lower left, framed, not examined out of frame, wear consistent with age including toning and foxing, etc., small damages to frame, ss: 17 1/2" h. x 29 3/4" w.
- CLEM BEDWELL, "THE FALL OF DAYLIGHT"
CLEM BEDWELL, "THE FALL OF DAYLIGHT" A/C ABSTRACT Clem Bedwell (American / Georgia 20th/21st century), "The Fall of Daylight", 2009, abstract colors of cream white, and brown, acrylic on canvas, signed lower right, signed, dated, and tilted en verso, unframed. Provenance: From the Private Collection of Ruth West, Atlanta, Georgia. Approx. h. 24", w. 24" (canvas).
- J. EUGENE GARDNER (AMERICAN 1904-1999),
J. EUGENE GARDNER (AMERICAN 1904-1999), JUST BEFORE DAWN, PASTEL, 28 X 34 INJ. Eugene Gardner (American 1904-1999), Just Before Dawn, Pastel, 28 x 34 in
- OUT AT DAWN BY ROBERT PUMMILL (OHIO/TEXAS
OUT AT DAWN BY ROBERT PUMMILL (OHIO/TEXAS B. 1936). Watercolor on paper signed lower right. Cowboys and chuck wagon cresting a hill. In a frame 23''h. 29''w.
- PAINTING, S. D. NELSON S.D. Nelson
PAINTING, S. D. NELSON S.D. Nelson (American, 20th century), "Greet the Dawn," oil on masonite, signed lower left, signed and titled verso, masonite (unframed): 48"h x 36"w
- MAXFIELD PARRISH COLOR PRINT ''Daybreak.''
MAXFIELD PARRISH COLOR PRINT ''Daybreak.'' Image measures 18'' x 30'' c. 1925 after the painting executed in 1922. In a period gilt wood.
- STERE GRANT. "THE DAWN," OIL (Romanian/American
STERE GRANT. "THE DAWN," OIL (Romanian/American 20th/21st century). Oil on board, signed "Stere Grant" ll, signed, dated and titled on verso, 13 1/4 x 14 in., framed.
- F H Jefferis, American 20th c,
F H Jefferis, American 20th c, o/c, "Day Break", 24" x 36" Estimate $200-300
- YURI ZLYDEN OIL ON CANVASYURI ZLYDEN
YURI ZLYDEN OIL ON CANVASYURI ZLYDEN (Ukraine, 1925-2001) oil on canvas, "Dawn," landscape with the sun coming through the trees. Signed in Cyrillic lower right and dated 1998, signed again and titled verso, 53" x 45" (image), 58.25" x 50 (frame).
- Oil head lamp lot: ''Morning Star''
Oil head lamp lot: ''Morning Star'' and ''The Everlit''.